Evgeny Mravinsky was born in St Petersburg in 1903, the son of artistic and aristocratic parents. He studied at Petrograd University and at the Leningrad Conservatoire, and made his debut as a conductor in 1929. He was with the Leningrad Opera from 1931 to 1938, the year he won the All-Union Conductors Competition in Moscow and was appointed chief conductor of the Leningrad Philharmonic, a position he held for 50 years until his death in 1988. In 1937 he premiered the Fifth Symphony of Shostakovich and subsequently developed a close working relationship with the composer, whose Symphony No.8 is dedicated to Mravinsky. With his Leningrad orchestra, he toured regularly within Central Europe and visited Japan, Britain and the USA. Mravinsky, the most distinguished Soviet conductor of his time, built the Leningrad Philharmonic into one of the worlds greatest orchestras. He is remembered as one of the finest interpreters not only of the great Russian composers, such as Tchaikovsky, Glazunov, Prokofiev and Shostakovich, but also of the masters of the Austro-German school, including Haydn, Mozart, Beethoven, Brahms and Bruckner.
Since Mravinskys
death in 1988, much of his recorded legacy (mostly of live performances,
because he disliked recording in the studio) has appeared, either officially
or unofficially, on discs emanating from Russia. However, this present
compilation offers two live recordings of Bruckners Seventh
Symphony and of the overture to Mozarts Don Giovanni (from
1967 and 1968 respectively) that are new to the Mravinsky discography.
The Bruckner is particularly important because it is the only known recording
of the conductors reading of the work. The tape of Glazunovs
Symphony No.5, recorded in 1968, comes from a private collection and is
in much better sound than the version listed in the current catalogue.
Tchaikovskys Francesca da Rimini was a Mravinsky speciality
to which he brought great passion and excitement, while in Haydns
Symphony No.88 the conductor demonstrates his mastery of classical interpretation. |