| 1 | Sinfonia da Requiem Op. 20: I. Lacrymosa (Andante ben misurato) - | 9:19 |
| 2 | Sinfonia da Requiem Op. 20: II. Dies irae (Allegro con fuoco) - | 4:51 |
| 3 | Sinfonia da Requiem Op. 20: III. Requiem aeternam (Andante molto tranquillo) | 7:20 |
| 4 | 4 Sea Interludes Op. 33a: Dawn | 3:44 |
| 5 | 4 Sea Interludes Op. 33a: Sunday Morning | 3:44 |
| 6 | 4 Sea Interludes Op. 33a: Moonlight | 4:35 |
| 7 | Passacaglia from 'Peter Grimes' Op. 33b | 7:57 |
| 8 | 4 Sea Interludes Op. 33a: Storm | 4:16 |
| 9 | The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell Op. 34): Theme: Allegro maestoso e largamente (full orchestra - woodwind - brass - strings - percussion - full orchestra) | 1:56 |
| | 10 | The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell Op. 34), Woodwind: Variation A: Presto (flutes & piccolo) | 0:35 |
| | 11 | The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell Op. 34), Woodwind: Variation B: Lento (oboes) | 1:70 |
| | 12 | The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell Op. 34), Woodwind: Variation C: Moderato (clarinets) | 0:39 |
| | 13 | The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell Op. 34), Woodwind: Variation D: Allegro con marcia (bassoons) | 0:57 |
| | 14 | The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell Op. 34), Strings: Variation E: Brillante, alla polacca (violins) | 0:36 |
| | 15 | The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell Op. 34), Strings: Variation F: Meno mosso (violas) | 1:17 |
| | 16 | The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell Op. 34), Strings: Variation G: L'istesso tempo (cellos) | 1:00 |
| | 17 | The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell Op. 34), Strings: Variation H: Cominciando lento ma poco a poco accel. al Allegro (double basses) | 1:20 |
| | 18 | The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell Op. 34), Strings: Variation I: Maestoso (harp) | 0:49 |
| | 19 | The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell Op. 34), Brass: Variation J: L'istesso tempo (horns) | 0:52 |
| | 20 | The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell Op. 34), Brass: Variation K: Vivace (trumpets) | 0:31 |
| | 21 | The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell Op. 34), Brass: Variation L: Allegro pomposo (trombones & tuba) | 1:60 |
| 22 | The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell Op. 34): Percussion - Variation M: Moderato (percussion) | 1:58 |
| 23 | The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell Op. 34): Fugue: Allegro molto - Con slancio (L'istesso tempo) (full orchestra) | 2:45 |
| | 1 | Symphonic Suite from Gloraina, Op. 53a: The Tournament | 4:13 |
| | 2 | Symphonic Suite from Gloraina, Op. 53a: The Lute Song | 4:43 |
| | 3 | Symphonic Suite from Gloraina, Op. 53a, The Courtly Dances: March | 0:48 |
| | 4 | Symphonic Suite from Gloraina, Op. 53a, The Courtly Dances: Coranto | 1:80 |
| | 5 | Symphonic Suite from Gloraina, Op. 53a, The Courtly Dances: Pavane | 2:16 |
| | 6 | Symphonic Suite from Gloraina, Op. 53a, The Courtly Dances: Morris Dance | 1:30 |
| | 7 | Symphonic Suite from Gloraina, Op. 53a, The Courtly Dances: Galliard | 1:55 |
| | 8 | Symphonic Suite from Gloraina, Op. 53a, The Courtly Dances: Lavolta | 2:70 |
| | 9 | Symphonic Suite from Gloraina, Op. 53a: Gloriana moritura | 7:40 |
| 10 | Cello Symphony Op. 68: I. Allegro maestoso | 13:25 |
| 11 | Cello Symphony Op. 68: II. Presto inquieto | 4:00 |
| 12 | Cello Symphony Op. 68, III. Adagio -: Cadenza | 3:21 |
| 13 | Cello Symphony Op. 68: IV. Passacaglia (Andante allegro) | 8:50 |
| 14 | Variations on a Christmas carol, 'Men of Goodwill' | 8:30 |
| | 1 | Sinfonietta Op. 1: I: Poco presto ed agitato | 4:14 |
| | 2 | Sinfonietta Op. 1: II: Andante lento | 6:38 |
| | 3 | Sinfonietta Op. 1: III: Tarantella (Presto vivace) | 3:48 |
| 4 | Russian Funeral | 5:36 |
| 5 | Suite on English Folk Tunes: 'A time there was...' Op. 90: I. Cakes and Ale | 2:32 |
| 6 | Suite on English Folk Tunes: 'A time there was...' Op. 90: II. The Bitter Withy | 2:56 |
| 7 | Suite on English Folk Tunes: 'A time there was...' Op. 90: III. Hankin Booby | 2:30 |
| 8 | Suite on English Folk Tunes: 'A time there was...' Op. 90: IV. Hunt the Squirrel | 1:18 |
| 9 | Suite on English Folk Tunes: 'A time there was...' Op. 90: V. Lord Melbourne | 5:25 |
| | 10 | Matinées musicales Op. 24: March | 2:47 |
| | 11 | Matinées musicales Op. 24: Nocturne | 4:30 |
| | 12 | Matinées musicales Op. 24: Waltz | 1:56 |
| | 13 | Matinées musicales Op. 24: Pantomime | 3:35 |
| | 14 | Matinées musicales Op. 24: Moto perpetuo | 2:47 |
| | 15 | Soirées musicales Op. 9: March | 1:30 |
| | 16 | Soirées musicales Op. 9: Canzonetta | 3:20 |
| | 17 | Soirées musicales Op. 9: Tirolese | 2:50 |
| | 18 | Soirées musicales Op. 9: Bolero | 2:40 |
| | 19 | Soirées musicales Op. 9: Tarantella | 2:11 |
| | 20 | Rossini Suite: I. Allegro brillante - | 2:00 |
| | 21 | Rossini Suite: II. Allegretto | 2:10 |
| | 22 | Rossini Suite: III. Allegretto - | 2:60 |
| | 23 | Rossini Suite: IV. Bolero (Allegro moderato) - | 2:20 |
| | 24 | Rossini Suite: V. Allegro con brio | 1:17 |
| 1 | The Prince of the Pagodas - Ballet in three acts Op. 57, Act I: Prelude | 2:16 |
| 2 | The Prince of the Pagodas - Ballet in three acts Op. 57, Act I, The Palace of the Emperor of the Middle Kingdom: The Fool and the Dwarf (David Purser, principal trombone) | 1:50 |
| 3 | The Prince of the Pagodas - Ballet in three acts Op. 57, Act I, The Palace of the Emperor of the Middle Kingdom: March and Courtiers' Dance (John Harle, alto saxophone) | 3:34 |
| 4 | The Prince of the Pagodas - Ballet in three acts Op. 57, Act I, The Palace of the Emperor of the Middle Kingdom: Entry of the Pages and the Four Kings (Sebastian Bell, principal flute) | 2:21 |
| 5 | The Prince of the Pagodas - Ballet in three acts Op. 57, Act I, The Palace of the Emperor of the Middle Kingdom: Variation of the King of the North | 1:28 |
| 6 | The Prince of the Pagodas - Ballet in three acts Op. 57, Act I, The Palace of the Emperor of the Middle Kingdom: Variation of the King of the East (Michael Thompson, horn) | 2:41 |
| 7 | The Prince of the Pagodas - Ballet in three acts Op. 57, Act I, The Palace of the Emperor of the Middle Kingdom: Variation of the King of the West | 1:50 |
| 8 | The Prince of the Pagodas - Ballet in three acts Op. 57, Act I, The Palace of the Emperor of the Middle Kingdom: Variation of the King of the South (John Chimes, timpani; Kevin Nutty, native drums) | 1:37 |
| 9 | The Prince of the Pagodas - Ballet in three acts Op. 57, Act I, The Palace of the Emperor of the Middle Kingdom: The Kings bow before the Emperor | 0:58 |
| 10 | The Prince of the Pagodas - Ballet in three acts Op. 57, Act I, The Palace of the Emperor of the Middle Kingdom: Variation of Princess Belle Epine | 3:15 |
| 11 | The Prince of the Pagodas - Ballet in three acts Op. 57, Act I, The Palace of the Emperor of the Middle Kingdom: Variation of Princess Belle Rose and Pas de deux (Gareth Hulse, oboe; John Miller, trumpet) | 5:53 |
| 12 | The Prince of the Pagodas - Ballet in three acts Op. 57, Act I, The Palace of the Emperor of the Middle Kingdom: The Kings and Belle Rose | 1:56 |
| 13 | The Prince of the Pagodas - Ballet in three acts Op. 57, Act I, The Palace of the Emperor of the Middle Kingdom: Belle Epine and the Four Kings | 2:30 |
| 14 | The Prince of the Pagodas - Ballet in three acts Op. 57, Act I, The Palace of the Emperor of the Middle Kingdom: The Rage of the Kings | 1:45 |
| 15 | The Prince of the Pagodas - Ballet in three acts Op. 57, Act I, The Palace of the Emperor of the Middle Kingdom: Entry of the Four Winged Frogs (John Orford, principal bassoon) | 3:19 |
| 16 | The Prince of the Pagodas - Ballet in three acts Op. 57, Act II, Scene 1: The Strange Journey of Belle Rose to the Pagoda Land: Introduction: Belle Rose borne in by the Frogs | 1:29 |
| 17 | The Prince of the Pagodas - Ballet in three acts Op. 57, Act II, Scene 1: The Strange Journey of Belle Rose to the Pagoda Land: Waltz (Clouds, Stars and Moon) | 5:90 |
| 18 | The Prince of the Pagodas - Ballet in three acts Op. 57, Act II, Scene 1: The Strange Journey of Belle Rose to the Pagoda Land: Belle Rose borne in by the Frogs | 0:42 |
| 19 | The Prince of the Pagodas - Ballet in three acts Op. 57, Act II, Scene 1: The Strange Journey of Belle Rose to the Pagoda Land: Entrée (Sea Horses, Fish Creatures and Waves) | 1:52 |
| 20 | The Prince of the Pagodas - Ballet in three acts Op. 57, Act II, Scene 1: The Strange Journey of Belle Rose to the Pagoda Land: Variation (Sea Horses) | 1:27 |
| 21 | The Prince of the Pagodas - Ballet in three acts Op. 57, Act II, Scene 1: The Strange Journey of Belle Rose to the Pagoda Land: Variation (Fish Creatures) (Helen Tunstall, harp; Joy Farrall, clarinet) | 3:21 |
| 22 | The Prince of the Pagodas - Ballet in three acts Op. 57, Act II, Scene 1: The Strange Journey of Belle Rose to the Pagoda Land: Coda | 2:10 |
| 23 | The Prince of the Pagodas - Ballet in three acts Op. 57, Act II, Scene 1: The Strange Journey of Belle Rose to the Pagoda Land: Belle Rose borne in by the Frogs | 0:41 |
| 24 | The Prince of the Pagodas - Ballet in three acts Op. 57, Act II, Scene 1: The Strange Journey of Belle Rose to the Pagoda Land: Pas de deux (Male and Female Flames) | 1:21 |
| 25 | The Prince of the Pagodas - Ballet in three acts Op. 57, Act II, Scene 1: The Strange Journey of Belle Rose to the Pagoda Land: Variation (Male Flame) | 1:90 |
| 26 | The Prince of the Pagodas - Ballet in three acts Op. 57, Act II, Scene 1: The Strange Journey of Belle Rose to the Pagoda Land: Variation (Female Flame) | 1:19 |
| 27 | The Prince of the Pagodas - Ballet in three acts Op. 57, Act II, Scene 1: The Strange Journey of Belle Rose to the Pagoda Land: Coda | 1:48 |
| 28 | The Prince of the Pagodas - Ballet in three acts Op. 57, Act II, Scene 1: The Strange Journey of Belle Rose to the Pagoda Land: Belle Rose, exhausted, borne in by the Frogs | 1:30 |
| 29 | The Prince of the Pagodas - Ballet in three acts Op. 57, Act II, Scene 2: The Arrival and Adventures of Belle Rose in the Kingdom of the Pagodas: Belle Rose in darkness (Nona Liddell, violin) | 2:30 |
| 30 | The Prince of the Pagodas - Ballet in three acts Op. 57, Act II, Scene 2: The Arrival and Adventures of Belle Rose in the Kingdom of the Pagodas: The Pagodas (James Holland, principal percussion; John Constable, principal keyboard) | 4:51 |
| 31 | The Prince of the Pagodas - Ballet in three acts Op. 57, Act II, Scene 2: The Arrival and Adventures of Belle Rose in the Kingdom of the Pagodas: The Salamander | 3:15 |
| 32 | The Prince of the Pagodas - Ballet in three acts Op. 57, Act II, Scene 2: The Arrival and Adventures of Belle Rose in the Kingdom of the Pagodas: Pas de deux (The Prince and Belle Rose) (Nicholas Daniel, cor anglais; Helen Tunstall, harp) | 4:52 |
| 33 | The Prince of the Pagodas - Ballet in three acts Op. 57, Act II, Scene 2: The Arrival and Adventures of Belle Rose in the Kingdom of the Pagodas: Belle Rose hunts for the Prince | 2:47 |
| 1 | The Prince of the Pagodas - Ballet in three acts Op. 57, Act III, Scene 1: The Palace of the Middle Kingdom: Empress Belle Epine | 4:43 |
| 2 | The Prince of the Pagodas - Ballet in three acts Op. 57, Act III, Scene 1: The Palace of the Middle Kingdom: The Old Emperor (John Harle, alto saxophone) | 3:50 |
| 3 | The Prince of the Pagodas - Ballet in three acts Op. 57, Act III, Scene 1: The Palace of the Middle Kingdom: Appearance of Belle Rose and the Salamander | 1:56 |
| 4 | The Prince of the Pagodas - Ballet in three acts Op. 57, Act III, Scene 2: The Pagoda Palace: Transformation | 4:26 |
| 5 | The Prince of the Pagodas - Ballet in three acts Op. 57, Act III, Scene 2: The Pagoda Palace: Pas de six: Entrée | 2:00 |
| 6 | The Prince of the Pagodas - Ballet in three acts Op. 57, Act III, Scene 2: The Pagoda Palace: Variation I: Pas de deux | 3:47 |
| 7 | The Prince of the Pagodas - Ballet in three acts Op. 57, Act III, Scene 2: The Pagoda Palace: Variation II: Girl's Solo (Nona Liddell, violin; Christopher van Kampen, cello) | 1:50 |
| 8 | The Prince of the Pagodas - Ballet in three acts Op. 57, Act III, Scene 2: The Pagoda Palace, Variation III : Boy's Solo | 1:40 |
| 9 | The Prince of the Pagodas - Ballet in three acts Op. 57, Act III, Scene 2: The Pagoda Palace, Variation III : Pas de trois | 1:53 |
| 10 | The Prince of the Pagodas - Ballet in three acts Op. 57, Act III, Scene 2: The Pagoda Palace, Variation III : Coda | 1:21 |
| 11 | The Prince of the Pagodas - Ballet in three acts Op. 57, Act III, Scene 2: The Pagoda Palace: Pas de caractère (The Emperor and the Fool) | 1:48 |
| 12 | The Prince of the Pagodas - Ballet in three acts Op. 57, Act III, Scene 2: The Pagoda Palace: Pas de deux (Belle Rose and the Prince of the Pagodas) | 4:40 |
| 13 | The Prince of the Pagodas - Ballet in three acts Op. 57, Act III, Scene 2: The Pagoda Palace: Variation (The Prince) | 1:70 |
| 14 | The Prince of the Pagodas - Ballet in three acts Op. 57, Act III, Scene 2: The Pagoda Palace: Variation (Belle Rose) | 2:25 |
| 15 | The Prince of the Pagodas - Ballet in three acts Op. 57, Act III, Scene 2: The Pagoda Palace: Finale | 4:31 |
| 16 | The Prince of the Pagodas - Ballet in three acts Op. 57, Act III, Scene 2: The Pagoda Palace: Apotheosis | 1:38 |
| 1 | Suite No. 1 in G for Solo Cello Op.72: Canto Primo: Sostenuto e largamente | 2:21 |
| 2 | Suite No. 1 in G for Solo Cello Op.72: I Fuga: Andante moderato | 4:00 |
| 3 | Suite No. 1 in G for Solo Cello Op.72: II Lamento: Lento rubato | 3:80 |
| 4 | Suite No. 1 in G for Solo Cello Op.72: Canto Secondo: Sostenuto | 1:11 |
| 5 | Suite No. 1 in G for Solo Cello Op.72: III Serenata: Allegretto (pizzicato) | 2:13 |
| 6 | Suite No. 1 in G for Solo Cello Op.72: IV Marcia: Alla marcia moderato | 3:31 |
| 7 | Suite No. 1 in G for Solo Cello Op.72: Canto Terzo: Sostenuto | 2:28 |
| 8 | Suite No. 1 in G for Solo Cello Op.72: V Bordone: Moderato quasi recitativo | 3:50 |
| 9 | Suite No. 1 in G for Solo Cello Op.72: VI Moto perpetuo e Canto quarto: Presto | 3:21 |
| 10 | Suite No. 2 in D for Solo Cello Op.80: I Declamato: Largo | 4:30 |
| 11 | Suite No. 2 in D for Solo Cello Op.80: II Fuga: Andante | 4:43 |
| 12 | Suite No. 2 in D for Solo Cello Op.80: III Scherzo: Allegro molto | 2:10 |
| 13 | Suite No. 2 in D for Solo Cello Op.80: IV Andante lento | 5:36 |
| 14 | Suite No. 2 in D for Solo Cello Op.80: V Ciaccona: Allegro | 7:30 |
| 15 | Suite No. 3 for Solo Cello Op. 87: I Introduzione: Lento | 2:35 |
| 16 | Suite No. 3 for Solo Cello Op. 87: II Marcia: Allegro | 1:46 |
| 17 | Suite No. 3 for Solo Cello Op. 87: III Canto: Con moto | 1:21 |
| 18 | Suite No. 3 for Solo Cello Op. 87: IV Barcarola: Lento | 1:23 |
| 19 | Suite No. 3 for Solo Cello Op. 87: V Dialogo: Allgretto | 1:43 |
| 20 | Suite No. 3 for Solo Cello Op. 87: VI Fuga: Andante espressivo | 2:36 |
| 21 | Suite No. 3 for Solo Cello Op. 87: VII Recitativo: Fantastico | 1:18 |
| 22 | Suite No. 3 for Solo Cello Op. 87: VIII Moto perpetuo: Presto | 0:58 |
| 23 | Suite No. 3 for Solo Cello Op. 87: IX Passacaglia: Lento solenne | 9:45 |
| | 1 | Holiday Diary Op. 5: I. Early Morning Bathe | 2:70 |
| | 2 | Holiday Diary Op. 5: II. Sailing | 5:14 |
| | 3 | Holiday Diary Op. 5: III. Funfair | 2:39 |
| | 4 | Holiday Diary Op. 5: IV. Night | 6:58 |
| | 5 | Three Character Pieces (1930): I. John (Poco allegro vivace) | 1:57 |
| | 6 | Three Character Pieces (1930): II. Daphne (Poco andante grazioso) | 2:70 |
| | 7 | Three Character Pieces (1930): III. Michael (Poco presto e molto capriccioso) | 2:59 |
| | 8 | Night Piece (Notturno) (1963) | 5:22 |
| | 9 | Moderato and Nocturne (Sonatina romantica, 1940): Moderato | 4:40 |
| | 10 | Moderato and Nocturne (Sonatina romantica, 1940): Nocturne | 2:51 |
| | 11 | Twelve Variations (1931) | 8:40 |
| | 12 | Five Walztes (Waltzes) (1923-5/1969): I. Rather fast and nervous | 1:70 |
| | 13 | Five Walztes (Waltzes) (1923-5/1969): II. Quick, with wit | 1:39 |
| | 14 | Five Walztes (Waltzes) (1923-5/1969): III. Dramatic | 1:41 |
| | 15 | Five Walztes (Waltzes) (1923-5/1969): IV. Rhythmic; not fast | 3:30 |
| | 16 | Five Walztes (Waltzes) (1923-5/1969): V. Variations: Quiet and simple | 2:56 |
| | 17 | Two Lullabies (1936): Lullaby | 3:19 |
| | 18 | Two Lullabies (1936): Lullaby for a Retired Colonel | 2:22 |
| | 19 | Mazurka elegiaca Op. 23 No. 2 | 8:21 |
| | 20 | Introduction and Rondo alla burlesca Op. 23 No. 1: Introduction - | 3:21 |
| | 21 | Introduction and Rondo alla burlesca Op. 23 No. 1: Rondo alla burlesca | 5:44 |
| | 1 | Suite for violin and piano Op. 6: I. Introduction (Andante maestoso) | 0:43 |
| | 2 | Suite for violin and piano Op. 6: II. March (Allegro alla marcia) | 2:54 |
| | 3 | Suite for violin and piano Op. 6: III. Moto perpetuo (Allegro molto e con fuoco) | 3:12 |
| | 4 | Suite for violin and piano Op. 6: IV. Lullaby (Lento tranquillo) | 4:40 |
| | 5 | Suite for violin and piano Op. 6: V. Waltz (Alla valse: vivace e rubato) | 4:26 |
| | 6 | Cello Sonata in C Op. 65: I. Dialogo (Allegro) | 7:54 |
| | 7 | Cello Sonata in C Op. 65: II. Scherzo-pizzicato (Allegretto) | 2:29 |
| | 8 | Cello Sonata in C Op. 65: III. Elegia (Lento) | 6:46 |
| | 9 | Cello Sonata in C Op. 65: IV. Marcia (Energico) | 2:19 |
| | 10 | Cello Sonata in C Op. 65: V. Moto perpetuo (Presto) | 2:44 |
| | 11 | Six Metamorphoses after Ovid Op. 49: 1. Pan (Senza misura) | 2:28 |
| | 12 | Six Metamorphoses after Ovid Op. 49: 2. Phaeton (Vivace ritmico) | 1:22 |
| | 13 | Six Metamorphoses after Ovid Op. 49: 3. Niobe (Andante) | 2:50 |
| | 14 | Six Metamorphoses after Ovid Op. 49: 4. Bacchus (Allegro pesante) | 1:53 |
| | 15 | Six Metamorphoses after Ovid Op. 49: 5. Narcissus (Lento piacevole) | 3:14 |
| | 16 | Six Metamorphoses after Ovid Op. 49: 6. Arethusa (Largamente) | 2:26 |
| | 17 | Nocturnal after John Dowland Op. 70: I. Musingly (Meditation) | 2:16 |
| | 18 | Nocturnal after John Dowland Op. 70: II. Agitated (Molto agitatavo) | 0:55 |
| | 19 | Nocturnal after John Dowland Op. 70: III. Restless (Inquieto) | 2:00 |
| | 20 | Nocturnal after John Dowland Op. 70: IV. Uneasy (Ansioso) | 1:32 |
| | 21 | Nocturnal after John Dowland Op. 70: V. March-like (Quasi una marcia) | 1:36 |
| | 22 | Nocturnal after John Dowland Op. 70: VI. Dreaming (Sognanti) | 1:54 |
| | 23 | Nocturnal after John Dowland Op. 70: VII. Greatly rocking (Cullante) | 0:56 |
| | 24 | Nocturnal after John Dowland Op. 70: VIII. Passacaglia (Misurato) | 4:50 |
| | 25 | Nocturnal after John Dowland Op. 70: IX. Slow and quiet (Molto tranquillo) | 2:30 |
| 1 | War Requiem Op. 66, I. Requiem aeternam: Requiem aeternam dona eis Domine | 6:10 |
| 2 | War Requiem Op. 66, I. Requiem aeternam: What passing-bells for these who die as cattle? | 2:20 |
| 3 | War Requiem Op. 66, I. Requiem aeternam: Kyrie eleison | 1:23 |
| 4 | War Requiem Op. 66, II. Dies irae: Dies irae, dies illa | 3:57 |
| 5 | War Requiem Op. 66, II. Dies irae: Bugles sang, saddening the evening air | 2:46 |
| 6 | War Requiem Op. 66, II. Dies irae: Liber scriptus proferetur | 2:46 |
| 7 | War Requiem Op. 66, II. Dies irae: Out there, we've walked quite friendly up to Death | 1:46 |
| 8 | War Requiem Op. 66, II. Dies irae: Recordare Jesu pie | 4:44 |
| 9 | War Requiem Op. 66, II. Dies irae: Be slowly lifted up, thou long black arm | 1:53 |
| 10 | War Requiem Op. 66, II. Dies irae: Dies irae, dies illa | 1:17 |
| 11 | War Requiem Op. 66, II. Dies irae: Lacrimosa dies illa | 2:50 |
| 12 | War Requiem Op. 66, II. Dies irae: Move him into the sun...Pie Jesu | 5:55 |
| 13 | War Requiem Op. 66, III. Offertorium: Domine Jesu Christe | 3:34 |
| 14 | War Requiem Op. 66, III. Offertorium: So Abram rose, and clave the wood, and went | 6:14 |
| 15 | War Requiem Op. 66, IV. Sanctus: Sanctus, sanctus, sanctus | 3:19 |
| 16 | War Requiem Op. 66, IV. Sanctus: Benedictus qui venit in nomine Domini | 2:52 |
| 17 | War Requiem Op. 66, IV. Sanctus: After the blast of lightning from the East | 3:43 |
| 18 | War Requiem Op. 66: V. Agnus Dei | 3:45 |
| 1 | War Requiem Op. 66, VI. Libera me: Libera me, Domine, de morte aeterna | 7:35 |
| 2 | War Requiem Op. 66, VI. Libera me: It seemed that out of battle I escaped | 9:47 |
| 3 | War Requiem Op. 66, VI. Libera me: Let us sleep now...In paradisum | 5:23 |
| 4 | A Spring Symphony Op. 44 (1986 Digital Remaster): Introduction: Shine out (Anon. 16th century) | 9:43 |
| 5 | A Spring Symphony Op. 44 (1986 Digital Remaster): The merry Cuckoo (E Spencer) | 2:00 |
| 6 | A Spring Symphony Op. 44 (1986 Digital Remaster): Spring, the sweet Spring (T Nashe) | 1:58 |
| 7 | A Spring Symphony Op. 44 (1986 Digital Remaster): The Driving Boy (G Peele and J Clare) | 2:90 |
| 8 | A Spring Symphony Op. 44 (1986 Digital Remaster): The Morning Star (J Milton) | 3:13 |
| 9 | A Spring Symphony Op. 44 (1986 Digital Remaster): Welcome, Maids of Honour (R Herrick) | 2:39 |
| 10 | A Spring Symphony Op. 44 (1986 Digital Remaster): Waters above! (H Vaughan) | 2:32 |
| 11 | A Spring Symphony Op. 44 (1986 Digital Remaster): Out of the lawn lie in bad (W H Auden) | 6:26 |
| 12 | A Spring Symphony Op. 44 (1986 Digital Remaster): When will my May come (Barnefield) | 2:24 |
| 13 | A Spring Symphony Op. 44 (1986 Digital Remaster): Fair and Fair (G Peele) | 2:21 |
| 14 | A Spring Symphony Op. 44 (1986 Digital Remaster): Sound the flute! (W Blake) | 1:16 |
| 15 | A Spring Symphony Op. 44 (1986 Digital Remaster): Finale: London, to thee I do present (J Beaumont, J Fletcher & anon. 13th century) | 7:44 |
| 1 | Hymn to St Cecilia Op. 27 (2004 Digital Remaster): I. In a garden shady this holy lady | 2:57 |
| 2 | Hymn to St Cecilia Op. 27 (2004 Digital Remaster): II. I cannot grow | 2:10 |
| 3 | Hymn to St Cecilia Op. 27 (2004 Digital Remaster): III. O ear whose creatures cannot wish to fall | 6:21 |
| 4 | A Ceremony of Carols Op. 28 (2004 Digital Remaster): I: Procession | 1:16 |
| 5 | A Ceremony of Carols Op. 28 (2004 Digital Remaster): II: Wolcum Yole! | 1:23 |
| 6 | A Ceremony of Carols Op. 28 (2004 Digital Remaster): III. There is no rose | 2:21 |
| 7 | A Ceremony of Carols Op. 28 (2004 Digital Remaster): IV: (a) That yongë child | 1:53 |
| 8 | A Ceremony of Carols Op. 28 (2004 Digital Remaster): IV: (b) Balulalow | 1:38 |
| 9 | A Ceremony of Carols Op. 28 (2004 Digital Remaster): V: As dew in Aprille | 0:58 |
| 10 | A Ceremony of Carols Op. 28 (2004 Digital Remaster): VI: This little Babe | 1:25 |
| 11 | A Ceremony of Carols Op. 28 (2004 Digital Remaster): VII: Interlude (Andante pastorale) [harp] | 3:34 |
| 12 | A Ceremony of Carols Op. 28 (2004 Digital Remaster): VIII: In freezing winter night | 4:11 |
| 13 | A Ceremony of Carols Op. 28 (2004 Digital Remaster): IX: Spring Carol | 1:12 |
| 14 | A Ceremony of Carols Op. 28 (2004 Digital Remaster): X: Deo Gracias! | 1:12 |
| 15 | A Ceremony of Carols Op. 28 (2004 Digital Remaster): XI: Recession | 1:19 |
| 16 | Missa brevis in D Op. 63 (2004 Digital Remaster): I. Kyrie | 1:34 |
| 17 | Missa brevis in D Op. 63 (2004 Digital Remaster): II. Gloria | 2:50 |
| 18 | Missa brevis in D Op. 63 (2004 Digital Remaster): III. Sanctus | 1:23 |
| 19 | Missa brevis in D Op. 63 (2004 Digital Remaster): IV. Benedictus | 1:44 |
| 20 | Missa brevis in D Op. 63 (2004 Digital Remaster): V. Agnus Dei | 2:33 |
| 21 | Festival Te Deum Op. 32 (2004 Digital Remaster) | 6:27 |
| 22 | Rejoice in the Lamb - Festival Cantata Op. 30 (2004 Digital Remaster): Rejoice in God, O ye Tongues (choir) | 3:55 |
| 23 | Rejoice in the Lamb - Festival Cantata Op. 30 (2004 Digital Remaster): For I will consider my Cat Jeoffry (treble) | 2:11 |
| 24 | Rejoice in the Lamb - Festival Cantata Op. 30 (2004 Digital Remaster): For the Mouse is a creature of great personal valour (alto) | 0:54 |
| 25 | Rejoice in the Lamb - Festival Cantata Op. 30 (2004 Digital Remaster): For the flowers are great blessings (tenor) | 2:10 |
| 26 | Rejoice in the Lamb - Festival Cantata Op. 30 (2004 Digital Remaster): For I am under the same accusation (choir) | 2:25 |
| 27 | Rejoice in the Lamb - Festival Cantata Op. 30 (2004 Digital Remaster): For He is the spirit (bass and choir) | 3:49 |
| 28 | Rejoice in the Lamb - Festival Cantata Op. 30 (2004 Digital Remaster): Hallelujah (choir) | 1:12 |
| 29 | Te Deum (1934) (2004 Digital Remaster) | 7:59 |
| 30 | Jubilate Deo (1961) (2004 Digital Remaster) | 2:29 |
| | 1 | Hymn to the Virgin | 3:25 |
| | 2 | Saint Nicolas Op. 42 (1970 Digital Remaster): Introduction: Our eyes are blinded by the holiness you bear | 5:52 |
| | 3 | Saint Nicolas Op. 42 (1970 Digital Remaster): The Birth of Nicolas | 2:38 |
| | 4 | Saint Nicolas Op. 42 (1970 Digital Remaster): Nicolas devotes himself to God | 4:50 |
| | 5 | Saint Nicolas Op. 42 (1970 Digital Remaster): He journeys to Palestine | 7:49 |
| | 6 | Saint Nicolas Op. 42 (1970 Digital Remaster): Nicolas comes to Myra and is chosen Bishop | 7:15 |
| | 7 | Saint Nicolas Op. 42 (1970 Digital Remaster): Nicolas from prison | 3:10 |
| | 8 | Saint Nicolas Op. 42 (1970 Digital Remaster): Nicolas and the pickled boys | 6:42 |
| | 9 | Saint Nicolas Op. 42 (1970 Digital Remaster): His Piety and Marvellous Works | 5:25 |
| | 10 | Saint Nicolas Op. 42 (1970 Digital Remaster): The Death of Nicolas | 6:57 |
| | 11 | Hymn to St Peter Op. 56a (1968 Digital Remaster) | 5:33 |
| 12 | A Hymn of St Columba (Regis regum rectissimi) (attrib. St. Columba) | 2:40 |
| | 13 | Sacred and Profane Op. 91: St Godric's Hymn | 1:55 |
| | 14 | Sacred and Profane Op. 91: Imon waxe wood | 0:49 |
| | 15 | Sacred and Profane Op. 91: Lenton is come | 2:29 |
| | 16 | Sacred and Profane Op. 91: The long night | 1:33 |
| | 17 | Sacred and Profane Op. 91: Yific of luve can | 2:31 |
| | 18 | Sacred and Profane Op. 91: Carol | 1:26 |
| | 19 | Sacred and Profane Op. 91: Ye that pasen by | 1:38 |
| | 20 | Sacred and Profane Op. 91: A death | 3:10 |
| | 1 | The Little Sweep Op. 45 (1995 Digital Remaster), Scene One: A January Morning: I. The Sweep's Song: "Sweep! Sweep!" (Audience Song I - Audience/Clem/Black Bob) | 1:51 |
| | 2 | The Little Sweep Op. 45 (1995 Digital Remaster), Scene One: A January Morning: II. Quartet: "Sweep this chimney!" (Miss Baggott/Rowan/Clem/Black Bob) | 1:54 |
| | 3 | The Little Sweep Op. 45 (1995 Digital Remaster), Scene One: A January Morning: III. Duet: "Now, little white boy!" (Clem/Black Bob) | 2:38 |
| | 4 | The Little Sweep Op. 45 (1995 Digital Remaster), Scene One: A January Morning: IIIa Hide and Seek: "Juliet! Juliet!" (Children) | 1:20 |
| | 5 | The Little Sweep Op. 45 (1995 Digital Remaster), Scene One: A January Morning: IV. Shanty: "Pull the rope gently" (Children) | 1:35 |
| | 6 | The Little Sweep Op. 45 (1995 Digital Remaster), Scene One: A January Morning: V. Ensemble: "Is he wounded?" (Sam/Children) | 1:25 |
| | 7 | The Little Sweep Op. 45 (1995 Digital Remaster), Scene One: A January Morning: VI. Marching Song: "Sooty tracks upon the sheet" (Children/Miss Baggott/Black Bob/Clem) | 1:36 |
| | 8 | The Little Sweep Op. 45 (1995 Digital Remaster), Scene One: A January Morning: VII. Trio: "Sam! Sam!" (Black Bob/Clem/Miss Baggott) | 1:20 |
| | 9 | The Little Sweep Op. 45 (1995 Digital Remaster), Scene One: A January Morning: VIII. Aria: "Run, poor sweepboy" (Rowan/Children) | 4:35 |
| | 10 | The Little Sweep Op. 45 (1995 Digital Remaster), Scene One: A January Morning: IX. Sammy's Bath: "The kettles are singing" (Audience Song II - Audience/Rowan/Sam) | 2:44 |
| | 11 | The Little Sweep Op. 45 (1995 Digital Remaster), Scene Two: Later: X. Ensemble: "O why do you weep" (Rowan/Sam/Children) | 2:52 |
| | 12 | The Little Sweep Op. 45 (1995 Digital Remaster), Scene Two: Later: XI. Pantomine and ..... | 1:13 |
| | 13 | The Little Sweep Op. 45 (1995 Digital Remaster), Scene Two: Later: XII. ..... Scena: "Ah! ..... Blackguards!" (Miss Baggott) | 3:40 |
| | 14 | The Little Sweep Op. 45 (1995 Digital Remaster), Scene Two: Later: XIII. Finale: "Help! Help! She's collapsed!" (Miss Baggott/Rowan/Children) | 1:54 |
| | 15 | The Little Sweep Op. 45 (1995 Digital Remaster), Scene Two: Later: XIV. The Night Song: "The owk, wide-winging" (Audience Song III - Audience) | 3:49 |
| | 16 | The Little Sweep Op. 45 (1995 Digital Remaster), Scene Three: The Next Morning: XV. Aria: "Soon the coach will carry you away" (Juliet) | 2:55 |
| | 17 | The Little Sweep Op. 45 (1995 Digital Remaster), Scene Three: The Next Morning: XVI. Ensemble: "Morning, Sammy" (Children/Sammy) | 2:00 |
| | 18 | The Little Sweep Op. 45 (1995 Digital Remaster), Scene Three: The Next Morning: XVII. Trio and Ensemble: "Ready, Alfred?" (Tom/Alfred/Miss Baggott/Rowan/Children) | 3:60 |
| | 19 | The Little Sweep Op. 45 (1995 Digital Remaster), Scene Three: The Next Morning: XVIII. Finale: Coaching Song: "The horses are champing" (Audience Song IV - Omnes/Audience) | 2:28 |
| 20 | A Boy is Born - choral variations on old carols Op. 3: Theme - A Boy was Born | 2:15 |
| 21 | A Boy is Born - choral variations on old carols Op. 3: Variation I - Lullaby, Jesu | 4:23 |
| 22 | A Boy is Born - choral variations on old carols Op. 3: Variation II - Herod | 2:28 |
| 23 | A Boy is Born - choral variations on old carols Op. 3: Variation III - Jesu, as Thou art our Saviour | 2:49 |
| 24 | A Boy is Born - choral variations on old carols Op. 3: Variations IV - The Three kings | 3:36 |
| 25 | A Boy is Born - choral variations on old carols Op. 3: Variation V - In the bleak mid-winter | 4:41 |
| 26 | A Boy is Born - choral variations on old carols Op. 3: Variation VI - Noël! | 9:30 |
| 27 | A Shepherd's Carol (Auden) | 4:80 |
| 1 | Noye's Fludde, Op.59 The Chester Miricle Play set to music: Lord Jesus, think on me | 3:10 |
| 2 | Noye's Fludde, Op.59 The Chester Miricle Play set to music: I, God, that all this world hath wroughte | 1:47 |
| 3 | Noye's Fludde, Op.59 The Chester Miricle Play set to music: O, Lorde, I thanke thee lowde and still | 2:44 |
| 4 | Noye's Fludde, Op.59 The Chester Miricle Play set to music: Now in the name of God I will begyne | 3:25 |
| 5 | Noye's Fludde, Op.59 The Chester Miricle Play set to music: Wyffe, in this vessell we shall be kepte | 0:51 |
| 6 | Noye's Fludde, Op.59 The Chester Miricle Play set to music: Noye, Noye, take thou thy company | 1:23 |
| 7 | Noye's Fludde, Op.59 The Chester Miricle Play set to music: Sir! heare are lions, lepardes, in | 4:57 |
| 8 | Noye's Fludde, Op.59 The Chester Miricle Play set to music: Wiffe, come in! why standes thou their? | 4:57 |
| 9 | Noye's Fludde, Op.59 The Chester Miricle Play set to music: It is good for to be still | 3:36 |
| 10 | Noye's Fludde, Op.59 The Chester Miricle Play set to music: Eternal Father, strong to save | 4:30 |
| 11 | Noye's Fludde, Op.59 The Chester Miricle Play set to music: Now forty dayes are fullie gone | 5:13 |
| 12 | Noye's Fludde, Op.59 The Chester Miricle Play set to music: Noye, take thy wife anone | 2:54 |
| 13 | Noye's Fludde, Op.59 The Chester Miricle Play set to music: Noye, heare I behette thee a heste | 1:37 |
| 14 | Noye's Fludde, Op.59 The Chester Miricle Play set to music: The spacious firmament on high | 6:23 |
| 15 | A.M.D.G. (Hopkins): Heaven-Haven | 1:57 |
| 16 | A.M.D.G. (Hopkins): O deus, ego amo te | 2:50 |
| 17 | A.M.D.G. (Hopkins): Rosa Mystica | 4:70 |
| 18 | A.M.D.G. (Hopkins): The Soldier | 2:17 |
| 19 | A.M.D.G. (Hopkins): Prayer II | 4:36 |
| 20 | A.M.D.G. (Hopkins): God's Grandeur | 2:53 |
| 21 | A.M.D.G. (Hopkins): Prayer I | 2:50 |
| | 22 | The Ballad of Little Musgrave and Lady Barnard (1995 Digital Remaster) | 9:54 |
| | 1 | The Company of Heaven, Part One: Chaos | 6:58 |
| | 2 | The Company of Heaven, Part One: The Morning Stars | 2:42 |
| | 3 | The Company of Heaven, Part Two: Angels appear to Jacob, Elisha and Mary | 5:24 |
| | 4 | The Company of Heaven, Part Two: Christ, the fair glory | 3:52 |
| | 5 | The Company of Heaven, Part Two: War in the heaven | 3:14 |
| | 6 | The Company of Heaven, Part Three: Heaven is here | 6:17 |
| | 7 | The Company of Heaven, Part Three: A thousand, thousand gleaming fires | 4:14 |
| | 8 | The Company of Heaven, Part Three: Funeral march for a Boy | 4:23 |
| | 9 | The Company of Heaven, Part Three: Whoso dwelleth under the defence of the most High | 4:50 |
| | 10 | The Company of Heaven, Part Three: There came out also at this time | 3:17 |
| | 11 | The Company of Heaven, Part Three: Ye watchers and ye holy ones | 5:70 |
| 12 | Ballad of Heroes Op. 14: 1. Funeral March - | 5:39 |
| 13 | Ballad of Heroes Op. 14: 2. Scherzo (Dance of Death) | 4:24 |
| 14 | Ballad of Heroes Op. 14: 3. Recitative and Choral - Epilogue (Funeral March) | 6:10 |
| 15 | Praise We Great Men (1976): 'Praise we great men' - | 3:27 |
| 16 | Praise We Great Men (1976): 'Praise we the just' | 2:22 |
| 17 | Praise We Great Men (1976): [Coda] | 1:21 |
| 1 | Les Illuminations for high voice and string orchestra Op. 18 (1971 Digital Remaster): I. Fanfare | 2:50 |
| 2 | Les Illuminations for high voice and string orchestra Op. 18 (1971 Digital Remaster): II. Villes | 2:30 |
| 3 | Les Illuminations for high voice and string orchestra Op. 18 (1971 Digital Remaster): IIIa. Phrase | 1:70 |
| 4 | Les Illuminations for high voice and string orchestra Op. 18 (1971 Digital Remaster): IIIb. Antique | 2:50 |
| 5 | Les Illuminations for high voice and string orchestra Op. 18 (1971 Digital Remaster): IV. Royauté | 1:40 |
| 6 | Les Illuminations for high voice and string orchestra Op. 18 (1971 Digital Remaster): V. Marine | 0:59 |
| 7 | Les Illuminations for high voice and string orchestra Op. 18 (1971 Digital Remaster): VI. Interlude | 2:14 |
| 8 | Les Illuminations for high voice and string orchestra Op. 18 (1971 Digital Remaster): VII. Being Beauteous | 3:56 |
| 9 | Les Illuminations for high voice and string orchestra Op. 18 (1971 Digital Remaster): VIII. Parade | 2:39 |
| 10 | Les Illuminations for high voice and string orchestra Op. 18 (1971 Digital Remaster): IX. Départ | 2:29 |
| | 11 | Serenade for tenor, horn and strings Op. 31: Prologue (horn solo) | 1:20 |
| | 12 | Serenade for tenor, horn and strings Op. 31: 1. Pastoral: The day's grown old (Charles Cotton) | 3:26 |
| | 13 | Serenade for tenor, horn and strings Op. 31: 2. Nocturne: The splendour falls on castle walls (Alfred, Lord Tennyson) | 3:29 |
| | 14 | Serenade for tenor, horn and strings Op. 31: 3. Elegy: O Rose, thou art sick (William Blake) | 4:10 |
| | 15 | Serenade for tenor, horn and strings Op. 31: 4. Dirge: This ae nighte (anon. 15th century) | 3:38 |
| | 16 | Serenade for tenor, horn and strings Op. 31: 5. Hymn: Queen and huntress (Ben Jonson) | 2:30 |
| | 17 | Serenade for tenor, horn and strings Op. 31: 6. Sonnet: O soft embalmer of the still midnight (John Keats) | 3:43 |
| | 18 | Serenade for tenor, horn and strings Op. 31: Epilogue (horn solo) | 1:30 |
| | 19 | Now sleeps the crimson petal | 2:53 |
| 20 | Nocturne for tenor solo, seven obbligato instruments and string orchestra Op. 60: On a poet's lips I slept (Shelley) | 3:30 |
| 21 | Nocturne for tenor solo, seven obbligato instruments and string orchestra Op. 60: Below the thunders of the upper deep (Tennyson) (Robin O'Neill, bassoon) | 3:29 |
| 22 | Nocturne for tenor solo, seven obbligato instruments and string orchestra Op. 60: Encinctured with a twine of leaves (Coleridge) (Thelma Owen, harp) | 2:13 |
| 23 | Nocturne for tenor solo, seven obbligato instruments and string orchestra Op. 60: Midnight's bell goes ting, ting, ting, ting, ting (Middleton) (Frank Lloyd, french horn) | 2:24 |
| 24 | Nocturne for tenor solo, seven obbligato instruments and string orchestra Op. 60: But that night when on my bed I lay (Wordsworth) (David Corkhill, timpani) | 3:30 |
| 25 | Nocturne for tenor solo, seven obbligato instruments and string orchestra Op. 60: She sleeps on soft, last breaths (Owen) (James Brown, cor anglais) | 4:38 |
| 26 | Nocturne for tenor solo, seven obbligato instruments and string orchestra Op. 60: What is more gentle than a wind in summer? (Keats) (William Bennett, flute; Thea King, clarinet) | 3:10 |
| 27 | Nocturne for tenor solo, seven obbligato instruments and string orchestra Op. 60: When most I wink, then do mine eyes best see (Shakespeare) | 5:80 |
| 1 | Quatre Chansons françaises (1928): 1. Nuits de juin (wds. Victor Hugo) | 2:50 |
| 2 | Quatre Chansons françaises (1928): 2. Sagesse (wds. Paul Verlaine) | 2:49 |
| 3 | Quatre Chansons françaises (1928): 3. L'Enfance (wds. Victor Hugo) | 4:30 |
| 4 | Quatre Chansons françaises (1928): 4. Chanson d'automne (wds. Paul Verlaine) | 2:27 |
| | 5 | Our Hunting Fathers Op. 8: Prologue | 2:00 |
| | 6 | Our Hunting Fathers Op. 8: A. Rats Away! | 4:40 |
| | 7 | Our Hunting Fathers Op. 8: B. Messalina | 6:55 |
| | 8 | Our Hunting Fathers Op. 8: C. Dance of Death (Hawking for the Partridge) | 6:29 |
| | 9 | Our Hunting Fathers Op. 8: Epilogue and Funeral March | 6:70 |
| | 10 | Folk Song Arrangement: Little Sir William | 2:27 |
| | 11 | Folk Song Arrangement: Come you not from Newcastle? | 1:21 |
| | 12 | Folk Song Arrangement: The Bonny Earl o' Moray | 2:34 |
| | 13 | Folk Song Arrangement: Oliver Cromwell | 0:44 |
| | 14 | Phaedra, Op.93: In May, in brilliant Athens | 6:33 |
| | 15 | Phaedra, Op.93: Oh Gods of wrath | 3:14 |
| | 16 | Phaedra, Op.93: My time's too short, your highness | 6:11 |
| | 17 | Folk Song Arrangements: La belle est au jardin d'amour | 2:53 |
| | 18 | Folk Song Arrangements: Eho! Eho! | 2:00 |
| | 19 | Folk Song Arrangements: Fileuse | 1:56 |
| | 20 | Folk Song Arrangements: Quand j'étais chez mon père. | 2:00 |
| | 21 | Folk Song Arrangements: Le roi s'en va-t'en chasse (The King goes a-hunting) | 2:51 |
| | 1 | Seven Sonnets of Michelangelo Op. 22 (1993 Digital Remaster): 1. Sì come nella penna e nell'inchiostro (XVI) | 2:30 |
| | 2 | Seven Sonnets of Michelangelo Op. 22 (1993 Digital Remaster): 2. A che più debb'io mai l'intensa voglia (XXXI) | 1:20 |
| | 3 | Seven Sonnets of Michelangelo Op. 22 (1993 Digital Remaster): 3. Veggio co' bei vostri occhi un dolce lume (XXX) | 3:11 |
| | 4 | Seven Sonnets of Michelangelo Op. 22 (1993 Digital Remaster): 4. Tu sa' ch'io so, signior mie, che tu sai (LV) | 1:46 |
| | 5 | Seven Sonnets of Michelangelo Op. 22 (1993 Digital Remaster): 5. Rendete a gli occhi miei, o fonte o fiume (XXXVIII) | 1:50 |
| | 6 | Seven Sonnets of Michelangelo Op. 22 (1993 Digital Remaster): 6. S'un casto amor, s'una pietà superna (XXXII) | 1:15 |
| | 7 | Seven Sonnets of Michelangelo Op. 22 (1993 Digital Remaster): 7. Spirto ben nato, in cui si specchia e vede (XXIV) | 4:42 |
| | 8 | The Holy Sonnets of John Donne Op. 35 (1993 Digital Remaster): 1. Oh my black Soule! | 3:17 |
| | 9 | The Holy Sonnets of John Donne Op. 35 (1993 Digital Remaster): 2. Batter my heart | 1:11 |
| | 10 | The Holy Sonnets of John Donne Op. 35 (1993 Digital Remaster): 3. Oh might those sighes and teares | 3:10 |
| | 11 | The Holy Sonnets of John Donne Op. 35 (1993 Digital Remaster): 4. Oh, to vex me | 1:20 |
| | 12 | The Holy Sonnets of John Donne Op. 35 (1993 Digital Remaster): 5. What if this present | 2:54 |
| | 13 | The Holy Sonnets of John Donne Op. 35 (1993 Digital Remaster): 6. Since she whom I loved | 3:46 |
| | 14 | The Holy Sonnets of John Donne Op. 35 (1993 Digital Remaster): 7. At the round earth's imagined corners | 2:45 |
| | 15 | The Holy Sonnets of John Donne Op. 35 (1993 Digital Remaster): 8. Thou hast made me | 1:22 |
| | 16 | The Holy Sonnets of John Donne Op. 35 (1993 Digital Remaster): 9. Death, be not proud | 4:80 |
| 17 | On This Island Op. 11 (2000 Digital Remaster): 1. Let the florid music praise! | 3:80 |
| 18 | On This Island Op. 11 (2000 Digital Remaster): 2. Now the leaves are falling fast | 1:58 |
| 19 | On This Island Op. 11 (2000 Digital Remaster): 3. Seascape | 1:58 |
| 20 | On This Island Op. 11 (2000 Digital Remaster): 4. Nocturne | 3:59 |
| 21 | On This Island Op. 11 (2000 Digital Remaster): 5. As it is, plenty | 1:24 |
| 22 | Winter Words Op. 52 (2000 Digital Remaster): 1. At Day-close in November | 1:34 |
| 23 | Winter Words Op. 52 (2000 Digital Remaster): 2. Midnight on the Great Western (or The Journeying Boy) | 4:46 |
| 24 | Winter Words Op. 52 (2000 Digital Remaster): 3. Wagtail and Baby (A Satire) | 1:53 |
| 25 | Winter Words Op. 52 (2000 Digital Remaster): 4. The Little Old Table | 1:21 |
| 26 | Winter Words Op. 52 (2000 Digital Remaster): 5. The Choirmaster's Burial (or The Tenor Man's Story) | 3:57 |
| 27 | Winter Words Op. 52 (2000 Digital Remaster): 6. Proud Songsters (Thrushes, Finches and Nightingales) | 1:70 |
| 28 | Winter Words Op. 52 (2000 Digital Remaster): 7. At the Railway Station, Upway (or The Convict and Boy with the Violin) | 3:60 |
| 29 | Winter Words Op. 52 (2000 Digital Remaster): 8. Before Life and After | 3:30 |
| | 1 | Two songs by Thomas Hardy: The Children and Sir Nameless | 2:51 |
| | 2 | Two songs by Thomas Hardy: If it's ever spring again | 3:60 |
| | 3 | Beware! - Three Early Songs: 1. Beware! (Henry Longfellow, from the German) | 1:20 |
| | 4 | Beware! - Three Early Songs: 2. O that I had ne'er been married (Robert Burns) | 1:23 |
| | 5 | Beware! - Three Early Songs: 3. Epitaph: The Clerk (Herbert Asquith) | 0:52 |
| | 6 | Not even summer yet | 2:50 |
| | 7 | Two songs by W. H. Auden: To lie flat on the back | 2:33 |
| | 8 | Two songs by W. H. Auden: Night covers up the rigid land | 2:45 |
| | 9 | The Oxen (Christmas eve, and twelve of the clock) | 3:11 |
| | 10 | Three rhymes by William Soutar: Dawtie's Devotion | 0:48 |
| | 11 | Three rhymes by William Soutar: Tradition | 0:57 |
| | 12 | Three rhymes by William Soutar: The Gully | 0:52 |
| 13 | Tit for Tat: A Song of Enchantment | 2:29 |
| 14 | Tit for Tat: Silver | 1:53 |
| 15 | Tit for Tat: Tit for Tat | 2:13 |
| 16 | 2 Ballads: Mother Comfort (wds. M. Slater) | 3:42 |
| 17 | 2 Ballads: Underneath the abject willow (wds. W. H. Auden) | 2:60 |
| 18 | Folk Song Arrangement: Sweet Polly Oliver (2000 Digital Remaster) | 1:55 |
| 19 | Folk Song Arrangement: The Minstrel Boy (2000 Digital Remaster) | 2:28 |
| 20 | Folk Song Arrangement: The Brisk Young Widow (2000 Digital Remaster) | 2:14 |
| 21 | Folk Song Arrangement: Ca' the Yowes (2000 Digital Remaster) | 3:53 |
| 22 | Folk Song Arrangement: The Lincolnshire Poacher (2000 Digital Remaster) | 1:58 |
| 23 | Folk Song Arrangement: O can ye sew cushions? (2000 Digital Remaster) | 2:23 |
| 24 | Folk Song Arrangement: The trees they grow so high (2000 Digital Remaster) | 3:13 |
| 25 | Folk Song Arrangements: Early one morning | 3:32 |
| 26 | Folk Song Arrangements: How sweet the answer | 2:12 |
| 27 | Folk Song Arrangements: Voici le printemps | 2:00 |
| 28 | Folk Song Arrangements: The last rose of summer | 4:31 |
| 29 | Folk Song Arrangements: Dear harp of my country | 2:33 |
| 30 | Folk Song Arrangements: Oft in the stilly night | 2:48 |
| | 1 | The Queen's Epicedium (1980 Digital Remaster) | 7:49 |
| 2 | Come ye sons of art away Z323: Sound the Trumpet | 2:27 |
| 3 | The Indian Queen Z630: I attempt from love's sickness to fly (Dryden/Howard) | 2:46 |
| 4 | Lost is my quiet for ever Z502 | 3:21 |
| 5 | King Arthur Z628: Fairest Isle (Dryden) | 2:11 |
| 6 | What can we poor females do Z518 | 1:14 |
| | 7 | Three realizations of Henry Purcell: I'll sail upon the Dog-star (Thomas D'Urfey) Z571.6 | 1:16 |
| | 8 | Three realizations of Henry Purcell: The Knotting Song (Charles Sedley) Z371 | 3:20 |
| | 9 | Three realizations of Henry Purcell: Man is for the woman made (Peter Anthony Motteux) Z605.3 | 1:10 |
| | 10 | Suite of Songs from 'Orpheus Britannicus': 1. Let sullen discord smile (Nahum Tate) Z321.6 | 2:60 |
| | 11 | Suite of Songs from 'Orpheus Britannicus': 2. Why should men quarrel? (John Dryden & Sir Robert Howard) Z630.4d | 1:31 |
| | 12 | Suite of Songs from 'Orpheus Britannicus': 3. So when the glittering Queen of Night (Thomas D'Urfey) Z333.11 | 4:80 |
| | 13 | Suite of Songs from 'Orpheus Britannicus': 4. Thou tun'st this world (Nicholas Brady) Z328.6 | 2:10 |
| | 14 | Suite of Songs from 'Orpheus Britannicus': 5a. 'Tis holiday (Nahum Tate) Z321.5 - 5b. Sound Fame thy brazen trumpet (Thomas Betterton & John Dryden) Z627.22 | 2:42 |
| | 15 | Song: We are the darkness in the heat of the day (The Heart of the Matter) | 2:10 |
| | 16 | Liederkreis Op. 39 (orch. Britten): Frühlingsnacht | 1:13 |
| | 1 | Paul Bunyan - An operetta in two acts and a prologue Op. 17: 1. Introduction (orch.) | 1:12 |
| | 2 | Paul Bunyan - An operetta in two acts and a prologue Op. 17, 2. Prologue (In the forest): Since the birth of the earth (Chorus of Old Trees) - | 3:34 |
| | 3 | Paul Bunyan - An operetta in two acts and a prologue Op. 17, 2. Prologue (In the forest): No. No. We do not want life to be slow (Four Young Trees, Chorus of Old Trees) - | 0:45 |
| | 4 | Paul Bunyan - An operetta in two acts and a prologue Op. 17, 2. Prologue (In the forest): Ooh! Ooh! O how terrible to be as old fashioned as a tree (Three Wild Geese) - | 1:46 |
| | 5 | Paul Bunyan - An operetta in two acts and a prologue Op. 17, 2. Prologue (In the forest): You are all to leave here (Wild Geese, Young Trees, Old Trees) - | 2:34 |
| | 6 | Paul Bunyan - An operetta in two acts and a prologue Op. 17, 2. Prologue (In the forest): It isn't very often the conservatives are wrong (Wild Geese)...But once in a while the odd thing happens (Old Trees, Young Trees, Wild Geese) | 3:10 |
| | 7 | Paul Bunyan - An operetta in two acts and a prologue Op. 17: 2a. First Ballad Interlude: The cold wind blew through the crooked thorn (Narrator) | 2:57 |
| | 8 | Paul Bunyan - An operetta in two acts and a prologue Op. 17, Act I, Scene 1 (A clearing in the forest): 3. Bunyan's Greeting (Voice of Paul Bunyan) | 2:50 |
| | 9 | Paul Bunyan - An operetta in two acts and a prologue Op. 17, Act I, Scene 1 (A clearing in the forest): 3a. Call of Lumberjacks (Lumberjacks) | 0:32 |
| | 10 | Paul Bunyan - An operetta in two acts and a prologue Op. 17, Act I, Scene 1 (A clearing in the forest): 4. Lumberjacks' Chorus: My birthplace was in Sweden (Lumberjacks) | 1:57 |
| | 11 | Paul Bunyan - An operetta in two acts and a prologue Op. 17, Act I, Scene 1 (A clearing in the forest): 4a. Bunyan's Welcome (Bunyan) | 0:21 |
| | 12 | Paul Bunyan - An operetta in two acts and a prologue Op. 17, Act I, Scene 1 (A clearing in the forest): 5. Quartet of Swedes: Swedish born and Swedish bred (Four Swedes, Bunyan, chorus) | 1:17 |
| | 13 | Paul Bunyan - An operetta in two acts and a prologue Op. 17, Act I, Scene 1 (A clearing in the forest): 6. Western Union Boy's Song: A telegram from oversea (Western Union Boy, chorus, Bunyan, Hel, Sam, Ben) | 1:38 |
| | 14 | Paul Bunyan - An operetta in two acts and a prologue Op. 17, Act I, Scene 1 (A clearing in the forest): 7. Cooks' Duet: Sam for soups. Ben for beans (Sam, Ben, Inkslinger, Bunyan) | 3:35 |
| | 15 | Paul Bunyan - An operetta in two acts and a prologue Op. 17, Act I, Scene 1 (A clearing in the forest): 8. Animal Trio: Ah! Miaou! The single creature lives a partial life (Fido, Moppet, Poppet) | 1:43 |
| | 16 | Paul Bunyan - An operetta in two acts and a prologue Op. 17, Act I, Scene 1 (A clearing in the forest): 8a. Bunyan's Goodnight (i) (Bunyan) | 0:33 |
| | 17 | Paul Bunyan - An operetta in two acts and a prologue Op. 17, Act I, Scene 1 (A clearing in the forest): 8b. Exit of Lumberjacks: Down the line...Timberrr (Lumberjacks) | 0:46 |
| | 18 | Paul Bunyan - An operetta in two acts and a prologue Op. 17, Act I, Scene 1 (A clearing in the forest): 9. The Blues: Gold in the North came the blizzard to say (Bunyan, Quartet of the Defeated, Inkslinger) | 4:24 |
| | 19 | Paul Bunyan - An operetta in two acts and a prologue Op. 17, Act I, Scene 1 (A clearing in the forest): 10. Bunyan's Goodnight (ii) (Bunyan) | 0:53 |
| | 20 | Paul Bunyan - An operetta in two acts and a prologue Op. 17, Act I: 10a. Second Ballad Interlude: The Spring came and the Summer and Fall (Narrator) | 3:30 |
| | 21 | Paul Bunyan - An operetta in two acts and a prologue Op. 17, Act I, Scene 2 (The camp): 11. Food Chorus: Do I look the sort of fellow (chorus, Inkslinger, Sam, Ben) | 4:20 |
| | 22 | Paul Bunyan - An operetta in two acts and a prologue Op. 17, Act I, Scene 2 (The camp): 12. Chorus Accusation: There now look what you have done (Cross, Inkslinger, Jen, Pete, Andy, chorus) | 0:40 |
| | 23 | Paul Bunyan - An operetta in two acts and a prologue Op. 17, Act I, Scene 2 (The camp): 12a. Slim's Song: In fair days and in foul...I come from open spaces (Slim, Inkslinger, Poppet, Fido, Moppet, Four Swedes) | 3:80 |
| | 24 | Paul Bunyan - An operetta in two acts and a prologue Op. 17, Act I, Scene 2 (The camp): 13. Bunyan's Return: Look, the Chief is back (chorus, Inkslinger, Fido) | 1:30 |
| | 25 | Paul Bunyan - An operetta in two acts and a prologue Op. 17, Act I, Scene 2 (The camp): 14. Inkslinger's Song: It was out in the sticks (Inkslinger) | 4:50 |
| | 26 | Paul Bunyan - An operetta in two acts and a prologue Op. 17, Act I, Scene 2 (The camp): 14a. Entrance of Chorus (Pete, Andy, Jen, Cross) | 0:47 |
| | 27 | Paul Bunyan - An operetta in two acts and a prologue Op. 17, Act I, Scene 2 (The camp): 15. Tiny's Entrance (Ben, Sam, Cross, Andy, Shears) | 1:28 |
| | 28 | Paul Bunyan - An operetta in two acts and a prologue Op. 17, Act I, Scene 2 (The camp): 15a. Tiny's Song: Ah!...Whether the sun shine upon children playing (Tiny, Inkslinger, chorus, Slim) | 4:50 |
| | 29 | Paul Bunyan - An operetta in two acts and a prologue Op. 17, Act I, Scene 2 (The camp): 16. Inkslinger's Regret: All the little brooks of love (Inkslinger, Bunyan, chorus) | 1:59 |
| | 30 | Paul Bunyan - An operetta in two acts and a prologue Op. 17, Act I, Scene 2 (The camp): 17. Bunyan's Goodnight (iii) (Bunyan) | 2:40 |
| | 1 | Paul Bunyan - An operetta in two acts and a prologue Op. 17, Act II, Scene 1 (A clearing in the forest): 18. Bunyan's Good Morning (Bunyan, chorus) | 3:14 |
| | 2 | Paul Bunyan - An operetta in two acts and a prologue Op. 17, Act II, Scene 1 (A clearing in the forest): 18a. Shears' Song: It has always been my dream (Shears, Bunyan, Hel) | 0:45 |
| | 3 | Paul Bunyan - An operetta in two acts and a prologue Op. 17, Act II, Scene 1 (A clearing in the forest): 18b. Bunyan's Warning (Bunyan) | 0:26 |
| | 4 | Paul Bunyan - An operetta in two acts and a prologue Op. 17, Act II, Scene 1 (A clearing in the forest): 19. Farmers' Song: The shanty-boy invades the wood (Shears, Solo II, Farmers) | 2:11 |
| | 5 | Paul Bunyan - An operetta in two acts and a prologue Op. 17, Act II, Scene 1 (A clearing in the forest): 19a. Farmers' Exit (orch., Four Cronies of Hel Helson, Hel) | 1:14 |
| | 6 | Paul Bunyan - An operetta in two acts and a prologue Op. 17, Act II, Scene 1 (A clearing in the forest): 20. The Mocking of Hel Helson: Heron, heron winging by (Hel, Heron, chorus, Moon, Wind, Beetle, Squirrel, Moppet, Poppet, Fido) | 6:13 |
| | 7 | Paul Bunyan - An operetta in two acts and a prologue Op. 17, Act II, Scene 1 (A clearing in the forest): 21. Fido's Sympathy: Won't you tell me what's the matter? (Fido, Hel) | 0:43 |
| | 8 | Paul Bunyan - An operetta in two acts and a prologue Op. 17, Act II, Scene 1 (A clearing in the forest): 22. Cats' Creed: Let Man the romantic in vision espy (Moppet, Poppet, Bunyan, Cronies, Hel) | 1:49 |
| | 9 | Paul Bunyan - An operetta in two acts and a prologue Op. 17, Act II, Scene 1 (A clearing in the forest): 23. The Fight: What is it? What's happening? (chorus) | 1:27 |
| | 10 | Paul Bunyan - An operetta in two acts and a prologue Op. 17, Act II, Scene 1 (A clearing in the forest): 23a. Love Duet: Move, move from the trysting stone (Slim, Tiny, chorus) | 2:28 |
| | 11 | Paul Bunyan - An operetta in two acts and a prologue Op. 17, Act II, Scene 1 (A clearing in the forest): 23b. Mock Funeral March: Take away the body and lay it on the ice (chorus, Cronies, Helson, Bunyan | 4:45 |
| | 12 | Paul Bunyan - An operetta in two acts and a prologue Op. 17, Act II, Scene 1 (A clearing in the forest): 23c. Hymn: O great day of discovery! (Bunyan, chorus, Hel, Tiny, Slim | 3:50 |
| | 13 | Paul Bunyan - An operetta in two acts and a prologue Op. 17, Act II: 24. Third Ballad Interlude: So Helson smiled and Bunyan smiled (Narrator) | 2:60 |
| | 14 | Paul Bunyan - An operetta in two acts and a prologue Op. 17, Act II, Scene 2 (The Christmas party), 25. The Christmas Party: Rah! Another slice of turkey (chorus, Fido, Moppet, Poppet) - | 1:56 |
| | 15 | Paul Bunyan - An operetta in two acts and a prologue Op. 17, Act II, Scene 2 (The Christmas party), 25. The Christmas Party: Dear friends, with your leave (Inkslinger, chorus) - | 1:20 |
| | 16 | Paul Bunyan - An operetta in two acts and a prologue Op. 17, Act II, Scene 2 (The Christmas party), 25. The Christmas Party: Carry her over the water (Tenor I, Tenor II, Baritone, Fido, Moppet, Poppet, chorus) - | 1:21 |
| | 17 | Paul Bunyan - An operetta in two acts and a prologue Op. 17, Act II, Scene 2 (The Christmas party), 25. The Christmas Party: Where we are is not very far (Tiny, Slim, Inkslinger, chorus, Hel, Shears, Western Union Boy) - | 2:14 |
| | 18 | Paul Bunyan - An operetta in two acts and a prologue Op. 17, Act II, Scene 2 (The Christmas party), 25. The Christmas Party: A telegram from Hollywood (Western Union Boy, Inkslinger) - | 1:28 |
| | 19 | Paul Bunyan - An operetta in two acts and a prologue Op. 17, Act II, Scene 2 (The Christmas party), 25. The Christmas Party: We always knew that one day you (chorus, Inkslinger) | 1:35 |
| | 20 | Paul Bunyan - An operetta in two acts and a prologue Op. 17, Act II, Scene 2 (The Christmas party): 26. Bunyan's Farewell (Bunyan) | 2:13 |
| | 21 | Paul Bunyan - An operetta in two acts and a prologue Op. 17, Act II, Scene 2 (The Christmas party): 27. Litany: The campfire embers are black and cold (chorus, Fido, Moppet, Poppet, Tiny, Slim, Bunyan, Hel, Inkslinger) | 6:10 |
| 1 | Peter Grimes Op. 33, PROLOGUE: Peter Grimes (Hobson/Swallow/Peter) | 1:36 |
| 2 | Peter Grimes Op. 33, PROLOGUE: You sailed your boat round the coast (Swallow/Peter/Mrs Sedley/Chorus/Hobson/Ellen) | 3:26 |
| 3 | Peter Grimes Op. 33, PROLOGUE: Peter Grimes, I here advise you! (Swallow/Chorus/Hobson/Peter) | 2:13 |
| 4 | Peter Grimes Op. 33, PROLOGUE: The truth ... the pity (Peter/Ellen) | 1:57 |
| 5 | Peter Grimes Op. 33, PROLOGUE: Interlude I: Dawn | 3:20 |
| 6 | Peter Grimes Op. 33, ACT 1 Scene 1: Oh hang at open doors the net (Chorus/1st Fisherman/Auntie/Boles/Balstrode/2nd Fisherman/Rector/Nieces/Mrs Sedley/Swallow) | 5:10 |
| 7 | Peter Grimes Op. 33, ACT 1 Scene 1: Hi! Give us a hand (Peter/Boles/Balstrode/Ned/Auntie/Hobson) | 3:34 |
| 8 | Peter Grimes Op. 33, ACT 1 Scene 1: I have to go from pub to pub (Hobson/Chorus/Ellen/Ned) | 1:58 |
| 9 | Peter Grimes Op. 33, ACT 1 Scene 1: Let her among you without fault cast the first stone (Ellen/Hobson/Mrs Sedley/Ned) | 2:56 |
| 10 | Peter Grimes Op. 33, ACT 1 Scene 1: Look! The storm cone! (Balstrode/Chorus/Ned/Boles) | 2:43 |
| 11 | Peter Grimes Op. 33, ACT 1 Scene 1: And do you prefer the storm | 3:52 |
| 12 | Peter Grimes Op. 33, ACT 1 Scene 1: They listen to money (Balstrode/Peter) | 1:29 |
| 13 | Peter Grimes Op. 33, ACT 1 Scene 1: What harbour shelters peace (Peter) | 1:60 |
| 14 | Peter Grimes Op. 33, ACT 1 Scene 1: Interlude II: Storm | 4:20 |
| 15 | Peter Grimes Op. 33, ACT 1 Scene 2: Past time to close! (Auntie/Mrs Sedley/Balstrode/Boles/Nieces/Fisherman) | 4:40 |
| 16 | Peter Grimes Op. 33, ACT 1 Scene 2: Come on, boy! (Balstrode/Chorus) | 2:12 |
| 17 | Peter Grimes Op. 33, ACT 1 Scene 2: Have you heard? The cliff is down (Ned/Auntie/Mrs Sedley/Balstrode/Chorus) | 1:37 |
| 18 | Peter Grimes Op. 33, ACT 1 Scene 2: Now the Great Bear and Pleiades (Peter/Chorus/Nieces/Boles/Balstrode/Auntie) | 3:42 |
| 19 | Peter Grimes Op. 33, ACT 1 Scene 2: Old Joe has gone fishing (Ned/Chorus/Peter) | 2:18 |
| 20 | Peter Grimes Op. 33, ACT 1 Scene 2: The bridge is down (Hobson/Ned/Ellen/Boles/Auntie/Nieces/Peter) | 1:45 |
| 21 | Peter Grimes Op. 33, ACT 2: Interlude III: Sunday morning | 2:29 |
| 22 | Peter Grimes Op. 33, Scene 1: Glitter of waves and glitter of sunlight (Ellen/Chorus/Rector) | 5:34 |
| 23 | Peter Grimes Op. 33, Scene 1: Child you're not too young to know (Ellen/Chorus/Rector/Peter) | 3:28 |
| 24 | Peter Grimes Op. 33, Scene 1: This unrelenting work (Ellen/Peter/Chorus) | 4:42 |
| 1 | Peter Grimes Op. 33, Scene 1: Fool to let it come to this! (Auntie/Ned/Boles/Chorus/Mrs Sedley/Balstrode/Lawyer/Swallow/Fisherwoman/Nices/Rector) | 3:20 |
| 2 | Peter Grimes Op. 33, Scene 1: People! ... No! I will speak! (Boles/Chorus/Balstrode/Rector/Auntie/Ellen) | 2:10 |
| 3 | Peter Grimes Op. 33, Scene 1: We planned that their lives should have a new start (Ellen/Rector/Mrs Sedley/Boles/Ned/Nieces/Auntie/Balstrode/Hobson/Swallow) | 3:40 |
| 4 | Peter Grimes Op. 33, Scene 1: Now is gossip put on trial (Chorus/Mrs Sedley/Boles/Rector/Ned/Swallow) | 2:21 |
| 5 | Peter Grimes Op. 33, Scene 1: From the gutter (Nieces/Auntie/Ellen) | 5:30 |
| 6 | Peter Grimes Op. 33, Scene 1: Interlude IV: Passacaglia | 5:20 |
| 7 | Peter Grimes Op. 33, Scene 2: Go there! | 3:14 |
| 8 | Peter Grimes Op. 33, Scene 2: In dreams I've built myself some kindlier home (Peter) | 3:57 |
| 9 | Peter Grimes Op. 33, Scene 2: Now! ... Now! (Chorus/Peter/Boles/Rector/Swallow/Ned) | 2:90 |
| 10 | Peter Grimes Op. 33, Scene 2: Peter Grimes! Nobody there? (Rector/Swallow/Ned) | 3:17 |
| 11 | Peter Grimes Op. 33, ACT 3: Interlude V: Moonlight | 4:21 |
| 12 | Peter Grimes Op. 33, Scene 1: Assign your prettiness to me (Swallow/Nieces/Ned) | 2:57 |
| 13 | Peter Grimes Op. 33, Scene 1: Mister Keene! Mister Keene! Can you spare a moment (Mrs Sedley/Ned) | 2:45 |
| 14 | Peter Grimes Op. 33, Scene 1: Come along, Doctor! (First Burgess/Burgesses/Rector/Mrs Sedley/Ellen/Balstrode) | 2:50 |
| 15 | Peter Grimes Op. 33, Scene 1: Embroidery in childhood was a luxury of idleness (Ellen/Balstrode) | 5:70 |
| 16 | Peter Grimes Op. 33, Scene 1: Mister Swallow! Mister Swallow! (Mrs Sedley/Auntie/Swallow/Hobson) | 1:59 |
| 17 | Peter Grimes Op. 33, Scene 1: Who holds himself apart, lets pride rise (Chorus) | 3:44 |
| 18 | Peter Grimes Op. 33, Scene 1: Interlude VI | 2:34 |
| 19 | Peter Grimes Op. 33, Scene 2: Grimes! Grimes! (Chorus/Peter) | 5:10 |
| 20 | Peter Grimes Op. 33, Scene 2: Peter, we've come to take you home (Ellen/Peter/Balstrode) | 2:47 |
| 21 | Peter Grimes Op. 33, Scene 2: To those who pass the Borough (Chorus/Swallow/Fisherman/Auntie/Boles) | 4:28 |
| 1 | The Turn of the Screw Op. 54, ACT ONE: Prologue (Prologue) | 3:28 |
| 2 | The Turn of the Screw Op. 54, ACT ONE: Theme | 1:40 |
| 3 | The Turn of the Screw Op. 54, ACT ONE: Scene 1 : The Journey (Governess) | 2:12 |
| 4 | The Turn of the Screw Op. 54, ACT ONE: Variation I | 0:36 |
| 5 | The Turn of the Screw Op. 54, ACT ONE: Scene 2 : The Welcome (Governess/Mrs. Grose/Miles/Flora) | 3:42 |
| 6 | The Turn of the Screw Op. 54, ACT ONE: Variation II | 0:38 |
| 7 | The Turn of the Screw Op. 54, ACT ONE: Scene 3 : The Letter (Governess/Mrs. Grose/Miles/Flora) | 2:58 |
| 8 | The Turn of the Screw Op. 54, ACT ONE: Variation III | 1:45 |
| 9 | The Turn of the Screw Op. 54, ACT ONE: Scene 4 : The Tower (Governess/Quint) | 3:41 |
| 10 | The Turn of the Screw Op. 54, ACT ONE: Variation IV | 0:24 |
| 11 | The Turn of the Screw Op. 54, ACT ONE: Scene 5 : The Window (Governess/Mrs. Grose/Miles/Flora/Quint) | 9:70 |
| 12 | The Turn of the Screw Op. 54, ACT ONE: Variation V | 1:00 |
| 13 | The Turn of the Screw Op. 54, ACT ONE: Scene 6 : The Lesson (Governess/Miles/Flora) | 4:20 |
| 14 | The Turn of the Screw Op. 54, ACT ONE: Variation VI | 1:20 |
| 15 | The Turn of the Screw Op. 54, ACT ONE: Scene 7 : The Lake (Governess/Miles/Flora) | 5:11 |
| 16 | The Turn of the Screw Op. 54, ACT ONE: Variation VII | 1:25 |
| 17 | The Turn of the Screw Op. 54, ACT ONE: Scene 8 : At Night (Governess/Mrs. Grose/Miles/Flora/Quint/Miss Jessel) | 9:45 |
| 1 | The Turn of the Screw Op. 54, ACT TWO: Variation VIII | 4:39 |
| 2 | The Turn of the Screw Op. 54, ACT TWO: Scene 1 : Colloquy and Soliloquy (Governess/Quint/Miss Jessel) | 4:26 |
| 3 | The Turn of the Screw Op. 54, ACT TWO: Variation IX | 0:55 |
| 4 | The Turn of the Screw Op. 54, ACT TWO: Scene 2 : The Bells (Governess/Mrs. Grose/Miles/Flora) | 7:31 |
| 5 | The Turn of the Screw Op. 54, ACT TWO: Variation X | 0:31 |
| 6 | The Turn of the Screw Op. 54, ACT TWO: Scene 3 : Miss Jessel (Governess/Miss Jessel) | 6:00 |
| 7 | The Turn of the Screw Op. 54, ACT TWO: Variation XI | 1:26 |
| 8 | The Turn of the Screw Op. 54, ACT TWO: Scene 4 : The Bedroom (Governess/Miles/Quint) | 5:20 |
| 9 | The Turn of the Screw Op. 54, ACT TWO: Variation XII | 1:23 |
| 10 | The Turn of the Screw Op. 54, ACT TWO: Scene 5 : Quint (Quint) | 0:54 |
| 11 | The Turn of the Screw Op. 54, ACT TWO: Variation XIII | 1:80 |
| 12 | The Turn of the Screw Op. 54, ACT TWO: Scene 6 : The Piano (Governess/Mrs. Grose/Flora) | 3:14 |
| 13 | The Turn of the Screw Op. 54, ACT TWO: Variation XIV | 0:36 |
| 14 | The Turn of the Screw Op. 54, ACT TWO: Scene 7 : Flora (Governess/Mrs. Grose/Flora/Miss Jessel) | 3:49 |
| 15 | The Turn of the Screw Op. 54, ACT TWO: Variation XV | 1:34 |
| 16 | The Turn of the Screw Op. 54, ACT TWO: Scene 8 : Miles (Governess/Mrs. Grose/Miles/Quint) | 11:10 |
| | 1 | A Midsummer Night's Dream Op. 64, ACT ONE, Introduction: Over hill, over dale (Fairies/Puck) | 4:14 |
| 2 | A Midsummer Night's Dream Op. 64, ACT ONE: Oberon is passing fell and wrath (Fairies/Oberon/Tytania) | 3:40 |
| 3 | A Midsummer Night's Dream Op. 64, ACT ONE: Well, go thy way (Oberon/Puck) | 3:45 |
| 4 | A Midsummer Night's Dream Op. 64, ACT ONE: How now my love? (Lysander/Hermia) | 4:30 |
| 5 | A Midsummer Night's Dream Op. 64, ACT ONE: Be it on lion, bear, or wolf, or bull (Oberon/Demetrius/Helena) | 3:41 |
| 6 | A Midsummer Night's Dream Op. 64, ACT ONE: Welcome wanderer! ... I know a bank (Oberon) | 5:40 |
| 7 | A Midsummer Night's Dream Op. 64, ACT ONE: Is all our company here? (Quince/Bottom/Flute/Snout/Starveling/Snug) | 7:37 |
| 8 | A Midsummer Night's Dream Op. 64, ACT ONE: Fair love, you faint with wand'ring in the wood (Lysander/Hermia) | 2:44 |
| 9 | A Midsummer Night's Dream Op. 64, ACT ONE: Through the frost have I gone (Puck/Hermia) | 1:39 |
| 10 | A Midsummer Night's Dream Op. 64, ACT ONE: Stay, thou thou kill me, sweet Demetrius (Helene/Demetrius/Lysander/Hermia) | 5:90 |
| 11 | A Midsummer Night's Dream Op. 64, ACT ONE: Come, now a roundel and a fairy song (Tytania) | 2:50 |
| 12 | A Midsummer Night's Dream Op. 64, ACT ONE: You spotted snakes with double tongues (Fairies) | 2:20 |
| 13 | A Midsummer Night's Dream Op. 64, ACT ONE: What thou seest when thou dost wake (Oberon) | 2:12 |
| 14 | A Midsummer Night's Dream Op. 64, ACT TWO: Introduction | 3:28 |
| 15 | A Midsummer Night's Dream Op. 64, ACT TWO: Are we all met? (Bottom/Flute/Snout/Starveling/Snug/Quince/Puck) | 7:23 |
| 16 | A Midsummer Night's Dream Op. 64, ACT TWO: I see their knavery (Bottom/Tytania/Solo fairies) | 3:14 |
| 17 | A Midsummer Night's Dream Op. 64, ACT TWO: Be kind and courteous to this gentleman (Tytania) | 1:17 |
| 18 | A Midsummer Night's Dream Op. 64, ACT TWO: Hail! mortal, hail! (Solo fairies/Bottom/Tytania) | 5:37 |
| 19 | A Midsummer Night's Dream Op. 64, ACT TWO: I have reas'nable good ear in music (Bottom/Tytania) | 5:22 |
| 20 | A Midsummer Night's Dream Op. 64, ACT TWO: How now, mad spirit? (Oberon/Puck/Demetrius/Hermia) | 2:51 |
| 1 | A Midsummer Night's Dream Op. 64, ACT TWO: Flower of this purple dye (Oberon/Puck/Lysander/Helena/Demetrius/Hermia) | 6:50 |
| 2 | A Midsummer Night's Dream Op. 64, ACT TWO: Puppet? Why, so? Ay, that way goes the game (Hermia/Helena/Lysander/Demetrius) | 3:42 |
| 3 | A Midsummer Night's Dream Op. 64, ACT TWO: This is thy negligence (Oberon/Puck) | 1:49 |
| 4 | A Midsummer Night's Dream Op. 64, ACT TWO: Up and down, up and down (Puck/Lysander/Demetrius/Helena/Hermia) | 6:51 |
| 5 | A Midsummer Night's Dream Op. 64, ACT TWO: On the ground, sleep sound (Fairies) | 3:29 |
| 6 | A Midsummer Night's Dream Op. 64, ACT THREE, Introduction: My gentle Robin, see'st thou this sweet sight? (Oberon/Tytania/Puck) | 0:10 |
| 7 | A Midsummer Night's Dream Op. 64, ACT THREE: Helena! Hermia! Demetrius! Lysander! (Demetrius/Lysander/Helena/Hermia) | 7:11 |
| 8 | A Midsummer Night's Dream Op. 64, ACT THREE: When my cue comes, call me (Bottom) | 4:27 |
| 9 | A Midsummer Night's Dream Op. 64, ACT THREE: Have you sent to Bottom's house? (Quince/Starveling/Flute/Snout/Snug/Bottom) | 5:13 |
| 10 | A Midsummer Night's Dream Op. 64, ACT THREE: Now, fair Hippolyta (Theseus/Hippolyta/Hermia/Lysander/Demetrius) | 5:21 |
| 11 | A Midsummer Night's Dream Op. 64, ACT THREE: If we offend, it is with our good will (Rustics) | 1:23 |
| 12 | A Midsummer Night's Dream Op. 64, ACT THREE: Gentles, perchance you wonder at this show (Prologue: Quince) | 1:29 |
| 13 | A Midsummer Night's Dream Op. 64, ACT THREE: In this same interlude it doth befall (Wall: Snout) | 1:12 |
| 14 | A Midsummer Night's Dream Op. 64, ACT THREE: O grim-look'd night, O night with hue so black (Pyramus: Bottom) | 1:57 |
| 15 | A Midsummer Night's Dream Op. 64, ACT THREE: O wall, full often has thou heard my moans (Thisby: Flute/Pyramus/Wall) | 2:47 |
| 16 | A Midsummer Night's Dream Op. 64, ACT THREE: You ladies, you whose gemtle hearts do fear (Lion: Snug) | 0:50 |
| 17 | A Midsummer Night's Dream Op. 64, ACT THREE: This lanthorn doth the horned moon present (Moonshine: Starveling/Thisby/Lion) | 1:56 |
| 18 | A Midsummer Night's Dream Op. 64, ACT THREE: Sweet moon, I thank thee for thy sunny beams (Pyramus) | 2:00 |
| 19 | A Midsummer Night's Dream Op. 64, ACT THREE: Asleep, my love? (Thisby/Bottom) | 2:48 |
| 20 | A Midsummer Night's Dream Op. 64, ACT THREE: Come, your Bergomask (Theseus) | 2:58 |
| 21 | A Midsummer Night's Dream Op. 64, ACT THREE: Now the hungry lions roars (Solo fairies/Puck/Oberon/Tytania/Fairies) | 4:53 |
| | 1 | The Rape of Lucretia Op. 37 (revised 1947 version: abridged) (1993 Digital Remaster), ACT 1 Scene 1: Rome is now ruled by the Etruscan upstart (Male Chorus) | 2:22 |
| | 2 | The Rape of Lucretia Op. 37 (revised 1947 version: abridged) (1993 Digital Remaster), ACT 1 Scene 1: It is an axiom among kings (Female & Male Chorus) | 2:23 |
| | 3 | The Rape of Lucretia Op. 37 (revised 1947 version: abridged) (1993 Digital Remaster), ACT 1 Scene 1: Here the thirsty evening (Male Chorus/Collatinus/Junius/Tarquinius) | 4:22 |
| | 4 | The Rape of Lucretia Op. 37 (revised 1947 version: abridged) (1993 Digital Remaster), ACT 1 Scene 1: Lucretia! Lucretia! (Junius/Male Chorus/Collatinus) | 3:51 |
| | 5 | The Rape of Lucretia Op. 37 (revised 1947 version: abridged) (1993 Digital Remaster), ACT 1 Scene 1: With you two arm in arm again (Collatinus/Tarquinius/Junius) | 4:32 |
| | 6 | The Rape of Lucretia Op. 37 (revised 1947 version: abridged) (1993 Digital Remaster), ACT 1 Scene 1: Interlude: Tarquinius does not wait (Male Chorus) | 2:46 |
| | 7 | The Rape of Lucretia Op. 37 (revised 1947 version: abridged) (1993 Digital Remaster), ACT 1 Scene 2: Their spinning wheel unwinds (Female Chorus/Lucretia/Bianca/Lucia) | 5:25 |
| | 8 | The Rape of Lucretia Op. 37 (revised 1947 version: abridged) (1993 Digital Remaster), ACT 1 Scene 2: It is better to desire (Bianca/Lucretia/Lucia/Female Chorus) | 4:37 |
| | 9 | The Rape of Lucretia Op. 37 (revised 1947 version: abridged) (1993 Digital Remaster), ACT 1 Scene 2: The oatmeal slippers of sleep (Female & Male Chorus) | 1:44 |
| | 10 | The Rape of Lucretia Op. 37 (revised 1947 version: abridged) (1993 Digital Remaster), ACT 1 Scene 2: None of the women move (Female Chorus/Tarquinius/Male Chorus/Bianca/Lucia/Lucretia) | 5:26 |
| | 11 | The Rape of Lucretia Op. 37 (revised 1947 version: abridged) (1993 Digital Remaster), ACT 2 Scene 1: She sleeps as a rose (Female & Male Chorus) | 4:23 |
| | 12 | The Rape of Lucretia Op. 37 (revised 1947 version: abridged) (1993 Digital Remaster), ACT 2 Scene 1: Lucretia! ... What do you want? (Tarquinius/Lucretia) | 3:90 |
| | 13 | The Rape of Lucretia Op. 37 (revised 1947 version: abridged) (1993 Digital Remaster), ACT 2 Scene 1: Go, Tarquinius! (Female & Male Chorus/Tarquinius/Lucretia) | 2:17 |
| | 14 | The Rape of Lucretia Op. 37 (revised 1947 version: abridged) (1993 Digital Remaster), ACT 2 Scene 1: Interlude: Here in this scene you see (Female & Male Chorus) | 3:47 |
| | 15 | The Rape of Lucretia Op. 37 (revised 1947 version: abridged) (1993 Digital Remaster), ACT 2 Scene 2: Oh! What a lovely day! (Lucia/Bianca) | 4:26 |
| | 16 | The Rape of Lucretia Op. 37 (revised 1947 version: abridged) (1993 Digital Remaster), ACT 2 Scene 2: How hideous! Take them away! (Lucretia/Bianca/Lucia) | 1:23 |
| | 17 | The Rape of Lucretia Op. 37 (revised 1947 version: abridged) (1993 Digital Remaster), ACT 2 Scene 2: Flowers bring to every year (Lucretia/ Bianca) | 3:15 |
| | 18 | The Rape of Lucretia Op. 37 (revised 1947 version: abridged) (1993 Digital Remaster), ACT 2 Scene 2: Too late, Junius (Collatinus/Lucretia) | 3:56 |
| | 19 | The Rape of Lucretia Op. 37 (revised 1947 version: abridged) (1993 Digital Remaster), ACT 2 Scene 2: This dead hand lets fall (Collatinus/Junius/Lucia/Bianca/Female & Male Chorus) | 4:22 |
| | 20 | The Rape of Lucretia Op. 37 (revised 1947 version: abridged) (1993 Digital Remaster), ACT 2 Scene 2: Is all this suffering and pian (Female & Male Chorus) | 4:38 |
| | 1 | Peter Grimes Op. 33 (scenes) (1993 Digital Remaster), ACT 1 Scene 1: Whatever you say ... Let her among you without fault cast the first stone (Ellen) | 3:10 |
| | 2 | Peter Grimes Op. 33 (scenes) (1993 Digital Remaster), ACT 1 Scene 2: Now the Great Bear and Pleiades (Peter) | 3:16 |
| | 3 | Peter Grimes Op. 33 (scenes) (1993 Digital Remaster), ACT 1 Scene 2: Interlude III: Sunday morning (orchestra) | 2:20 |
| | 4 | Peter Grimes Op. 33 (scenes) (1993 Digital Remaster), ACT 2 Scene 1: Glitter of waves and glitter of sunlight (Ellen/Chorus) | 3:49 |
| | 5 | Peter Grimes Op. 33 (scenes) (1993 Digital Remaster), ACT 2 Scene 1: Wherefore, I pray and beseech you (Rector/Chorus/Ellen) | 3:30 |
| | 6 | Peter Grimes Op. 33 (scenes) (1993 Digital Remaster), ACT 2 Scene 1: O all ye works of the Lord (Chorus/Ellen/Peter) | 5:50 |
| | 7 | Peter Grimes Op. 33 (scenes) (1993 Digital Remaster), ACT 2 Scene 2: In dreams I've built myself some kindlier home (Peter) | 4:15 |
| | 8 | Peter Grimes Op. 33 (scenes) (1993 Digital Remaster), ACT 3 Scene 1: Embroidery in childhood was a luxury of idleness (Ellen) | 4:15 |
| | 9 | Peter Grimes Op. 33 (scenes) (1993 Digital Remaster), ACT 3 Scene 1: Interlude VI (orchestra) | 2:29 |
| | 10 | Peter Grimes Op. 33 (scenes) (1993 Digital Remaster), ACT 3 Scene 2: Grimes! ... Steady. There you are (Chorus/Peter/Ellen) | 5:59 |
| | 11 | Folk Song Arrangements The plough boy (1993 Digital Remaster) | 2:30 |
| | 12 | Folk Song Arrangements Come you not from Newcastle? (1993 Digital Remaster) | 1:17 |
| | 13 | Folk Song Arrangements The foggy foggy dew (1993 Digital Remaster) | 2:42 |
| | 14 | Folk Song Arrangements: Le roi s'en va-t'en chasse (The King goes a-hunting) | 2:19 |
| | 15 | Folk Song Arrangements O waly waly (1993 Digital Remaster) | 3:35 |